Composers:
Mick Jagger & Keith Richards
Recording
date: September 2022-March 2023
Recording
locations: Electric
Lady Studios, New York City, USA; Henson Recording
Studios,
Los
Angeles, USA;
Metropolis Studios, London, England; Sanctuary
Studios, Albany, Bahamas; & MixStar Studios,
Virginia Beach, USA
Producer: Andrew
Watt
Chief engineers:
Paul Lamalfa, Dave
O'Donnell & Marco
Sonzini
Mixer: Serban Ghenea
Never performed
onstage
Probable line-up:
Drums: Steve Jordan
Bass: Keith Richards
Acoustic guitars:
Mick Jagger & Keith Richards
Slide acoustic
resonator (Dobro) guitar: Ron Wood
Electric guitar:
Keith Richards
Lead vocals:
Mick Jagger
Backing vocals:
Mick Jagger & Keith Richards
Piano: Matt Clifford
Rhodes electric
piano: Matt Clifford
Hammond organ:
Benmont Tench
Harmonica: Mick Jagger
Percussion:
Mick Jagger
TrackTalk
It’s sort of like Sweet Virginia,
kind of, in the mood of it. It’s maybe not so rambunctious as Sweet
Virginia. It’s obviously about wanting to be alone, maybe
somebody from a lockdown experience (laughs). But it is sort of
country. You know, I started off playing just on the slide
guitar and Keith said to me What’s that? And I said Well
actually so far that’s it (laughs). And he said You
should keep going with it. So I did. And then Ronnie sort
of took over my slide part and Ronnie made it a really pretty
slide part.
Ronnie played the best slide he ever played
in his freaking life. Once we cut it, I immediately said, That’s
The Rolling Stones. That is what I signed up for. That
thing that happened – that will never happen again. I was very
vocal about it. And I was relieved.
When you’re tracking a band live, it’s awesome when everyone’s
parts are perfect, like on a song like Dreamy Skies.
Keith was playing bass on that one and then he overdubbed his
electric guitar afterwards, but besides that, it was all on the
floor.
I really like this one. It’s a beautiful
‘gimme a break’ song that Mick wrote: nicely done, nicely
played, Mick singing it cool, taking his own advice and getting
away from it all sometimes. It is world-weary without throwing
in the towel.
I told Mick Why did you call it
Dreamy Skies? I got to get it away from it all. I
enjoyed singing that with him. Hey, we go back a while.
Well it's Mick being stranded I think,
trying to get away from it all, right? He says I want to get
away and listen to a bit of old Hank Williams and some bad honky
tonk.
Dreamy Skies is kind of
introspective.
You are never "away" now, wherever you go. Someone’s always
texting you, aren’t they? When you have no connection, no phone,
only the country music on the radio for company, then you have
escaped. It's an anti-modernity thing. That’s the new luxury: to
be unavailable to everyone.
That's the sound of a Stones record: a five-string with a
six-string on top, and Ronnie. It always creates a beautiful
blend. A great example is how it sounds with Ronnie's Dobro on Dreamy
Skies. You always have to play around with the amps a bit,
but guitars are amazing things. You can make an orchestra out of
them with just a simple blend.
Dreamy Skies is very sweet. It has a Sweet Virginia-type
feel.