Composers: Mick Jagger & Keith Richards
Recording date: October-December
1977 & March-April 1978
Recording location: Pathé
Marconi Studios, Paris, France & Atlantic
Studios, New York, USA
Producers:
The Glimmer Twins Chief engineer: Chris Kimsey
Performed
onstage: 1978, 1994-95, 1997, 2002,
2006, 2013, 2015, 2021, 2024
Drums:
Charlie Watts
Bass:
Bill Wyman
Acoustic
guitar: Keith
Richards
Electric
guitar: Keith
Richards
Pedal
steel guitar: Ron
Wood
Lead
vocal: Mick Jagger
Background
vocals: Mick Jagger,
Keith Richards & Ron Wood
Pianos:
Mick Jagger & Keith Richards
TrackTalk
(That was written by Keith and me in c)ombination. I wasn't out to make a disco record, making Far Away Eyes.
We
aren't using a pull-string or a lot of slide right now, but Ron
plays pedal steel, a bit on Shattered and Far Away
Eyes. Country music's a part of the way we do that kind of
thing, and it comes through even if it's done with straight
guitars sort of pulling up against each other.
(O)n Far Away Eyes, I'm playing piano, though Keith is actually playing the top part - we added it on after. But I wouldn't say this song was influenced specifically by Gram (Parsons). That idea of country music played slightly tongue in cheek - Gram had that in Drugstore Truck Drivin' Man, and we have that sardonic quality, too.
I know
(Mick) listens to - and used to - a lot of Merle
Haggard (who hails from Bakersfield, California)
...When you think
about it, he even sings Bakersfield in (Far
Away Eyes)... I wonder why Bakersfield? I've got to ask
him that. Maybe he don't even know himself. It must go back to
him listening to a lot of Merle Haggard.
You
know, when you drive through Bakersfield on a Sunday morning or
Sunday evening - I did that about six months ago - all the
country music radio stations start broadcasting live from L.A.
black gospel services. And that's what the song refers to. But
the song's really about driving alone, listening to the radio.
It's
mimicry, it is, it's parody...
Mick
feels the need to get into these caricatures. He's slightly
vaudeville in his approach. Far Away Eyes is like that.
He did it great every time except for the final take. It's good
when he does it straight 'cause it's funny enough without doing
a pantomime. It's the SOUND version of what he was doing wrong
VISUALLY. When he sings it as a caricature it sounds like it
would be great for a show. You expect Mick to walk out in his
cowboy duds on an 18-wheeler set (laughs). Or sing it into his
CB as part of his skit.
Currently,
we're getting knocked for doing Far Away Eyes. Not so
much in America, but abroad... where they don't really
understand country music... Obviously, we can't play country
music like authentic Chicago bluesmen. We do our best, but we
can't copy - that's not the idea. And so it comes out the way it
does... different!
Yeah,
she's real, she's a real girl...