Composers:
John
Lennon & Paul
McCartney Original
performers: The
Beatles (1963)
First
release: UK
single, November
1963 First
US release: US B-side, March 1964
Recording
date: October
1963 Recording
location: De Lane Lea Studios, Holborn
(London), England
Producer: Eric
Easton
Performed
onstage:
1963-65,
1995* (possibly), 2012, 2022
Line-up:
Drums:
Charlie
Watts
Bass: Bill
Wyman
Electric
guitar: Keith
Richards
Slide
electric guitar (& solo): Brian
Jones
Lead
vocal: Mick
Jagger
Backing
vocal:
Brian Jones
TrackTalk
(John and Paul) were very much into hustling songs. Everybody was doing Beatles' songs and they were going straight into the charts. But we liked that song and the fact that John and Paul came down to a rehearsal of ours and laid it on us. We hadn't heard their version, we just heard John and Paul on piano, banging it out, you know. And we picked it up and it was just one of those jams... THEY got enthusiastic, WE got enthusiastic and we said, Right, we'll cut it tomorrow.
We came up with I Wanna Be Your Man
- a Bo Diddley kind of thing. I said to Mick, Well, Ringo's
got
this
track on our album, but it won't be a single and it might suit
you guys.
I knew Mick was into maracas, from when we'd seen them down at
the
Crawdaddy.
John and Paul ran through I Wanna Be Your
Man for us. Paul, being left-handed, amazed me by playing
my bass
backward.
Brian tried slide on it, which sounded great.
Well, we knew (the Beatles) by then and we
were rehearsing and Andrew
brought
Paul and John down to the rehearsal. They said they had this
tune, they
were really hustlers then. I mean the way they used to hustle
tunes was
great: Hey Mick, we've got this great song. So they
played it
and
we thought it sounded pretty commercial, which is what we were
looking
for, so we did it like Elmore James or something. I haven't
heard it
for
ages but it must be pretty freaky 'cause nobody really produced
it...
It
was completely crackers, but it was a hit and sounded great
onstage.
We kind of learned it pretty quickly 'cause
there wasn't that much to learn. Then Brian got his slide out,
his
steel
(guitar) out and dadaw... dadaw... and we said, Yeah,
that's
better,
dirty it up a bit and bash it out, and we kind of
completely
turned the song around and made it much more tough, Stones- and
Elmore
James-like.