Mother's Little Helper

Composers: Mick Jagger & Keith Richards
Recording date: December 1965         Recording location: RCA Studios, Los Angeles, USA
Producer: Andrew Oldham        Engineer: Dave Hassinger
Performed onstage: 1966

Probable line-up:

Drums: Charlie Watts
Bass: Bill Wyman
Acoustic guitars: Keith Richards & Brian Jones
12-string slide electric guitar: Keith Richards
Vocals: Mick Jagger
Nitzsche-phone: Jack Nitzsche
 

What a drag it is getting old

Kids are different today, I hear every mother say
Mother needs something today to calm her down
And though she's not really ill, there's a little yellow pill

She goes running for the shelter of a mother's little helper
And it helps her on her way, gets her through her busy day

Things are different today, I hear every mother say
Cooking fresh food for a husband's just a drag
So she buys an instant cake and she burns her frozen steak

And goes running for the shelter of a mother's little helper
And 2 help her on her way, get her through her busy day

Doctor please, some more of these
Outside the door, she took 4 more
What a drag it is getting old

Men just aren't the same today, I hear every mother say
They just don't appreciate that you get tired
They're so hard to satisfy, you can tranquilize your mind

So go running for the shelter of a mother's little helper
And 4 help you through the night, help to minimize your plight

Doctor please, some more of these
Outside the door, she took 4 more
What a drag it is getting old

Life's just much too hard today, I hear every mother say
The pursuit of happiness just seems a bore
And if you take more of those, you will get an overdose

No more running for the shelter of a mother's little helper
They just helped you on your way through your busy dying day

Hey
 
 

TrackTalk

In those days, Mick and I were into a solid word-music bag unless I thought of something outstanding, which could be used in the title or something. I would spend the first two weeks of the tour, because it was done on the road, all of it was worked out... An American tour meant you started writing another album. After three, four weeks you had enough and then you went to L.A. and recorded it. We worked very fast that way and when you came off a tour you were shit hot playing, as hot as the band is gonna be.

- Keith Richards, 1971


I think I had that song pretty well set up, arrangement-wise, when I brought it into the studio. I had the main riff. It might have been Bill Wyman who came with (the) ending... Mother's Little Helper and Paint It Black are these semi-gypsy melodies. I don't know where they came from. Must be in the blood somewhere.

- Keith Richards, 2002


Mother's Little Helper is a very strange record, like a music hall number, with an electric twelve-string on it, which made it very distinctive.

- Mick Jagger, 2003


(The strange guitar sound is) a 12-string with a slide on it. It's played slightly Oriental-ish. The track just needed something to make it twang. Otherwise, the song was quite vaudeville in a way. I wanted to add some nice bite to it. And it was just one of those things where someone walked in and, Look, it's an electric 12-string. It was some gashed-up job. No name on it. God knows where it came from. Or where it went. But I put it together with a bottleneck. Then we had a riff that tied the whole thing together. And I think we overdubbed onto that. Because I played an acoustic guitar as well.

- Keith Richards, 2002


(I get inspiration from t)hings that are happening around me - everyday life as I see it. People say I'm always singing about pills and breakdowns, therefore I must be an addict - this is ridiculous. Some people are so narrow-minded they won't admit to themselves that this really does happen to other people beside pop stars.

- Mick Jagger, 1966


We've often tried to perform Mother's Little Helper and it's never been any good, never gelled for some reason - it's either me not playing it right or Keith not wanting to do it like that. It's never worked. It's just one of those songs. We used to try it live but it's a bloody hard record to play, although we did perform it live on Ed Sullivan.

- Charlie Watts, 2003

 
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