Composers: Mick
Jagger & Keith Richards
Recording date:
August 2004-June 2005
Recording locations: La
Fourchette, Posé sur Cisse, France & Los Angeles, USA
Producers: Don
Was & The Glimmer Twins Co-producers:
Don
Was, Matt Clifford & The Glimmer
Twins
Chief
engineer: Krish
Sharma
Mixer: Jack
Joseph Puig
Performed onstage: 2006-07


Line-up:
Drums: Charlie
Watts
Bass: Darryl
Jones
Acoustic guitar:
Mick Jagger
Electric guitars: Keith
Richards & Ron Wood (incl. solo)
Pianos: Matt
Clifford & Chuck
Leavell
Organ: Matt
Clifford & Chuck
Leavell
Vocals: Mick
Jagger
Strings: Matt
Clifford
Programming: Matt
Clifford
You're awful bright, you're awful smart
I must admit you broke my heart
The awful truth, it's really sad
I must admit I was awful bad
While lovers laugh and music plays
I stumble by and I hide my pain
The lights are lit, the moon is gone
I think I've crossed the Rubicon
I walk the streets of love and they're full
of tears
And I walk the streets of love and they're
full of fears
While music pumps from passing cars
A couple watch me from a bar
A band just played the wedding march
And the corner store mends broken hearts
And a woman asks me for a dance
Oh it's free of charge, just one more chance
I walk the streets of love and they're full
of tears
And I walk the streets of love for a thousand
years
Oh tell me now
I... I walk the streets of love, yeah and
they're drenched with tears
Oh
You had the moves, you had the cards
I must admit you were awful smart
The awful truth, it's awful sad
I must admit I was awful bad
And I walk the streets of love and they're
drenched with tears
And I walk the streets of love for a thousand
years
Oh
I walk the streets of love and they're drenched
with tears
Oh... oh there's only one (...)
Oh I... yeah and they're full of tears
Oh everybody talk about it
Everybody be walking down it
Yeah but I found out.... oh yes that I...
Oh yes I do
Oh the streets of love, yeah, they're drenched
with, drenched with in tears...
I... oh yeah I don't want to...
TrackTalk
It's a Mick tour de force, in a way. But we all really enjoy playing it. When we first knocked it out on acoustic, we felt, Oh, that's nice, but it sounded kind of standard. So then Mick and I were saying, It's the dynamics that count. You gotta take it up and down.
(T)here's... stuff like Streets of Love
which is perhaps more serious and it doesn't have any levity. It's kind
of quite a dark piece.
Mick sometimes goes into a mode, and
you're like, Is that you? Are you trying to be somebody else? Sometimes
you have to figure that out. Yes, it is manneristic at times, but other
times he's so fucking loose and cool...