Probable line-up:
Drums: Charlie
Watts
Bass: Bill Wyman
12-string acoustic guitar: Keith
Richards
Electric guitar: Keith
Richards
Piano: Ian
Stewart
Lead vocals: Mick
Jagger
Background vocals: Mick
Jagger and Keith Richards
Tambourine: Brian
Jones
I want you back
again
I want your love
again
I know you find it hard
to reason with me
But this time it's
different, darling you'll
see
You've got to tell me
you're coming back to
me, ah yeah
You've got to tell
me you're coming back to
me
You've got to tell
me you're coming back to
me
You've got to tell
me you're coming back to
me
You said we're
through before
You walked out on
me before
I tried to
tell you but you didn't want to
know
This time you're
different and determined
to go
You've got
to tell me you're coming back to
me, oh yeah
You've got to tell
me you're coming back to
me, oh
You've got to tell
me you're coming back to
me, yeah
You've got
to tell me you're coming back to
me, oh yeah
You've got
to tell me you're coming back to me, oh yeah
You've got to tell
me you're coming back to
me, oh
You've got to tell
me you're coming back to
me
You've got
to tell me you're coming back to
me
I wait as the days
go by
I long for the
nights to go by
I hear the
knock on my door that never comes
I hear the
telephone that hasn't rung
You've got
to tell me you're coming back to
me, oh yeah
You've got to tell
me you're coming back to
me - come back home, baby
You've got to tell
me you're coming back to
me
You've got
to tell me you're coming back to
me
You've got to tell
me you're coming back to
me
You've got to tell
me you're coming back to
me
You've got to tell
me you're coming back to
me
You've got
to tell me you're coming back to
me
You've got
to... back to me
Back to me
Oh yeah
Come home, come home, come on back home
Tell me you're
coming back to
me - come back, baby
Tell me you're
coming back to
me
You've got
to tell me you're coming back to
me
You've got
to tell me you're coming...
TrackTalk
Tell Me, which was pulled out as a
single
in America,... was a dub. Half those records were dubs on that first
album,
that Mick and I and Charlie and I'd put a bass on or maybe Bill
was
there and he'd put a bass on. Let's put it down while we remember it
and the next thing we know is, Oh look, track 8 is that dub we did
a
couple months ago. That's how little control we had.
-
Keith Richards, 1971
I (played the acoustic). I was a proud owner
of a 12-string at the time. Actually, I had two: a Harmony and a Guild.
The Guild was very nice.
-
Keith Richards, 1977
Keith was playing 12-string and singing harmonies
into the same microphone as the 12-string. We recorded it in this tiny
studio in the West End of London called Regent Sound, which was a demo
studio. I think the whole of that album was recorded in there. But it's
very different from doing those R&B covers or Marvin
Gaye covers and all that. There's a definite feel about it. It's a
very POP song, as opposed to all the blues covers and the Motown
covers,
which everyone did at the time.
-
Mick Jagger, 1995
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