Probable line-up:

Drums: Charlie Watts
Bass: John Regan
Electric guitars: Keith Richards & Ron Wood
Lead vocal: Mick Jagger
Background vocals: Mick Jagger, Janice Pendarvis & Dollette McDonald
Synthesizer: Chuck Leavell
 

TrackTalk

That was cut pretty fast.

The original track had two guitars, Woody and me, and then I think we put another couple on there that we used in and out. Then there's that lick: everybody keeps asking me to show them how to play it. I feel like I could make a living off teaching guitar players how to play that lick (laughs). But it's dead simple, just a slightly elongated version of Tumbling Dice - to me, at least. It's the same shapes, the same fingerings, just sort of drawn out a bit... That riff reminds me of an early Motown thing, a Marvin Gaye thing like Stubborn Kind of Fellow or You're a Wonderful One or Can I Get a Witness. It's a basic Motown riff, really; we've just jazzed it up with some technology.

(The upstroke guitar playing section) comes from Ronnie and me hanging around for a while in Mexico, 'cause we started to learn all those fandangos, where you pull back on the strings from the top down.

Keith used Ronnie's blonde '57 Strat through a Boogie (amp) and came up with that great lick which flows through the song.

I mean, I'll go for almost anything in a song if I think it's good - 'cause I'll write it from the standpoint of someone else. Then I can show the subject in its bad light. There are uncomfortable subjects, but you don't have to imply that you're endorsing it. You have to be able to write around it, from the point of view of someone else. There were certain songs on Dirty Work that were done that way.

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