I swear we're never gonna stop
|Keith Richards (Late February 2017): New Stones album
It was quite fun. We did a whole week in a little room, slowly putting a new album together.
|Mick Jagger (February 26, 2017): The Stones album in the works
I'm working on new songs now.
|Mick Jagger, Keith Richards & Ron Wood (March 18, 2017): Bye bye Chuck Berry
Mick: I am so sad to hear of Chuck Berry's passing. I want to thank him for all the inspirational music he gave to us. He lit up our teenage years, and blew life into our dreams of being musicians and performers. His lyrics shone above others & threw a strange light on the American dream. Chuck you were amazing & your music is engraved inside us forever.
Keith: One of my big lights has gone out.
Ron: So sad ~ with the passing of Chuck Berry comes the end of an era. He was one of the best and my inspiration, a true character indeed.
|Keith Richards (March 24, 2017): Chuck Berry's influence
(Over the years, we've) deliberately tried not to “do a Chuck Berry,” so to speak. But on every one, Chuck’s influence is there, for sure. And I love the fact that he could vary his music. When you listen to [You] Never Can Tell, he had a handle, he was very interested in various kinds of music. He used country music....[and] he was a great admirer of Hank Williams. We used to sit around talking about country writers.
I look upon (his signaatory guitar introductions) as sort of a clarion call, his way of saying, I’m here. That’s why those famous intros for Johnny B. Goode, Carol and Little Queenie are sort of the same. It was almost his own personal monogram on the damn thing before he would start.
People try and pick out things that are similar. Like Jimmy Reed - you want to talk about a guy who played the same song and beautifully! It’s not that - it’s the variations on the theme that count. Also the effortless ease of that rhythm he could produce, which everybody else pumps away at. People don’t realize Chuck used his whole body to play that riff, he doesn’t just use his wrists. I’m still working on it.
Everything was syncopated and synchronized to his body movements. We all know the duck walk — that’s the famous one, and it’s a good one too. But if you look at old footage of him, playing in those times, those early movies, Jazz on a Summer’s Day, you see a sort of almost demonic power going on in that rhythm and his delivery of it. It always fascinated me.
There is a certain part of me that still has my Chuck Berry niche, especially on the rhythm end, more than anything. I’ve learned more and more from him over the years of how to sling the hash (laughs).
|Keith Richards (April 9, 2017): Losing Chuck Berry
At the moment I sense the same feeling I had at 15 years old when Buddy Holly died. A sickening thud to the guts and a feeling of losing a member of the family. For me the world went from black to white to glorious Technicolor when I first heard Little Queenie. There was no doubt in my mind: It was obvious what I had to do and I haven’t changed since. The effortless ease with which he laid down the rhythm makes a mockery of countless grimacing lip biting agonizing imitators. I’m still working on it.
He brought joy to us; the feeling for a fifteen year old guitar player that there was more to life than seemed possible. With the exuberance, he brought a casual ease and a rhythm that makes bits of your body move you didn’t know you had. In essence, he was a revelation. I ain’t 15 no more but the joy remains.
|Mick Jagger & Keith Richards (March 2017): Hoarders
Mick: Oh, Bill Wyman is the hoarder. No one else cares about anything. Bill had loads of stuff. I kept loads of my clothes. I did keep not only huge amounts of stage clothes, but street clothes. Everything else I just throw away because I'm not a hoarder. Charlie has some things. But Bill collects everything.
Keith: Probably Charlie Watts. Or, if you're talking about the band throughout its years, Bill Wyman absolutely tops the hoarding area. Everything. Yeah, we have enormous storage warehouses. Charlie Watts has one. I don't know how many drum kits are stashed away there. I take up quite a lot of room with a thousand guitars.
|Mick Jagger (March 2017): The Rolling Stones and visual design
There's a lot of design in there. You see how much work has been done in the visual world, not just in the musical world. Which is quite amazing, considering. You know, Keith and Charlie went to art school; I never went to art school. I got interested in visual arts through, you know, working on the Rolling Stones posters.
|Mick Jagger (April 25, 2017): Accepting the Jazz FM Awards
It's really kind of weird that we started off, a long time ago, in London trying to play clubs and those clubs were jazz clubs... And they used to kick us out 'cause we played blues! And this all feels full circle.
|Charlie Watts (April 25, 2017): The Rolling Stones' next album
We've been in the studio since (recording Blue & Lonesome), doing the rest of this (new) album.
|Charlie Watts (April 25, 2017): Retiring|
Well I try (to retire) at the end of each tour. Keith says: What are you going to do? I don't know, mow the lawn... So I don't retire.
|Charlie Watts (April 25, 2017): Going on the road with the Stones|
You get your call-up, you get your kit together, you say goodbye to your wife and you come back two months later, hopefully with your limbs intact. It’s always been tough. The worst time is when you have a young child. I never took mine or my wife on the road. But if you take them like Ronnie — he lugs everything around, even his bloody easel to paint with — it’s not such a wrench. It’s admirable in one way, but I couldn’t work like that — too many distractione. Now it’s not so bad because we only do 10 or 15 shows. In the old days you’d get three sheets of dates and you couldn’t see the end.
|Ron Wood (May 2017): Dear doctor|
I'm so grateful for modern screening which picked this up so early, and would like to thank all the doctors who treated me.
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